Maggie and Carsten love each other, they have two wonderful children and run their own gourmet restaurant; Malus. They want it all. And they have it all. Almost. They are missing the coveted Michelin Star. It has been their dream, on which they gambled everything to win. One day Carsten receives a letter saying that his wife loves somebody else. But who sent the letter and why? In their continuous passion and pursuit for the ultimate recognition, they forget that the meals of life are best enjoyed together.

An art journalist becomes ensnared in the surreal world of a reclusive sculptor while trying to extract a career-making interview

Sam is an apprentice chef trapped in a hellish kitchen with no escape. The pressure is relentless - the orders pile up, his boss screams and the customers are hungry for more than just food. He can't do this - he can't... This is what happens when your work literally bleeds you dry.

The Hunger is a British/Canadian television horror anthology series, co-produced by Scott Free Productions, Telescene Film Group Productions and the Canadian pay-TV channel The Movie Network. Though it shares a title with the feature film The Hunger the series has no direct plot or character connection to the film, and was created by Jeff Fazio.Originally shown on the Sci Fi Channel in the UK, The Movie Network in Canada and Showtime in the US, the series was broadcast from 1997 to 2000, and is internally organized into two seasons. Each episode was based around an independent story introduced by the host; Terence Stamp hosted each episode for the first season, and was replaced in the second season by David Bowie. Stories tended to focus on themes of self-destructive desire and obsession, with a strong component of soft-core erotica; popular tropes for the stories included cannibalism, vampires, sex, and poison.

Former pin-up model and actress Ginny had been cast aside by the heartless and exploitative modeling industry when she was a young woman due to her body type. Ginny didnt take rejection well and over the years developed into a revenge seeking, blood thirsty, broken woman. When her new neighbors Debbie and Sal move in, Debbie begins to notice strange things going on next door. Sal credits it to Debbies psychological instability and believes she is seeing things, falling deeper into her psychosis. Debbie is obsessively determined to figure out what secret life Ginny is leading. Her new nosey neighbor throws a damper on Ginnys lifestyle activities; such as her cannibalistic food addictions and ever growing body count. Both women become determined to put an end to the others obsession.

A woman struggles with her self-image in a house run by a weight-obsessed mother, alongside a younger sister whose eating disorder has tragic coincidences.

Aliens with a ravenous appetite for summertime campers descend upon a campground.

After visiting a funeral, six friends are slowly hunted one by one during their trip up north together as the full moon rises.

Arguably the most influential person in American comics, Will Eisner, as artist, entrepreneur, innovator, and visual storyteller, enjoyed a career that encompassed comic books from their early beginnings in the 1930s to their development as graphic novels in the 1990s. During his sixty-year-plus career, Eisner introduced the now-traditional mode of comic book production; championed mature, sophisticated storytelling; was an early advocate for using the medium as a tool for education; pioneered the now-popular graphic novel, and served as inspiration for generations of artists. Without a doubt, Will Eisner was the godfather of the American comic book.

In the Gilded Age, an ensemble of the era’s celebrities including Thomas Edison, Edgar Degas and Evelyn Nesbit meet at the home of an eccentric and failing tycoon. By the end of the night, the mogul is found dead, spurring a historical fiction-themed murder mystery.